Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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michael sittow formerly known as maitre Michiel
Portrat des Ludwig XIV

ID: 80529

michael sittow formerly known as maitre Michiel Portrat des Ludwig XIV
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michael sittow formerly known as maitre Michiel Portrat des Ludwig XIV


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michael sittow formerly known as maitre Michiel

Reval(Estonia)ca 1468-1525/26  Related Paintings of michael sittow formerly known as maitre Michiel :. | Rest on the Flight into Egypt | The Trinity | Autoportrait (mk38) | Rebecca and Eliezer | Jean-Antoine de Mesmes, president of Paris'Parliament. |
Related Artists:
Pieter Gijsels
Flemish painter (b. 1621, Antwerpen, d. 1690, Antwerpen
Minerva Josephine Chapman
(1858 - 1947) was an American painter. She was known for her work in miniature portraiture, landscape, and still life. She was born in Sand Bank, New York and grew up in Chicago, Illinois. She studied at a number of institutions including Mount Holyoke College (where she graduated from in 1880) and the Art Institute of Chicago. She lived and studied in Paris from the late 1880s to 1915, and again after the first world war, where she established her reputation as an artist. She retired to Palo Alto, California and died at the age of 88.
William Maw Egley
English painter , (1826-1916) was a British artist of the Victorian era. The son of the miniaturist William Egley, he studied under his father. His early works were illustrations of literary subjects typical of the period, such as Prospero and Miranda from The Tempest. These were similar to the work of The Clique. William Powell Frith, one of The Clique, hired Egley to add backgrounds to his own work. Egley soon developed a style influenced by Frith, including domestic and childhood subjects. Most of his paintings were humorous or "feelgood" genre scenes of urban and rural life, depicting such subjects as harvest festivals and contemporary fashions. His best known painting, Omnibus Life in London (Tate Gallery) is a comic scene of people squashed together in the busy, cramped public transport of the era. Egley always showed great interest in specifics of costume, to which he paid detailed attention, but his paintings were often criticised for their hard, clumsy style. In the 1860s Egley adopted the fashion for romanticised 18th century subjects.






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